I don’t know how to write. Which is unfortunate, as I do it for a living. Mind you, I don’t know how to live either. Writers are asked, particularly when we’ve got a book coming out, to write about writing. To give interviews and explain how we did this thing that we appear to have done. We even teach, as I have recently, students who want to know how to approach the peculiar occupation of fiction writing. I tell them at the beginning—I’ve got nothing for you. I don’t know. Don’t look at me.Ridgway’s latest is Hawthorn and Child, but neither it nor the accompanying digital short story appear to be available in the US now. As you might be able to tell from the attitude of the preceding passage, he’s Irish.
I’ve written six books now, but instead of making it easier, it has complicated matters to the point of absurdity. I have no idea what I’m doing. All the decisions I appear to have made—about plots and characters and where to start and when to stop—are not decisions at all. They are compromises. A book is whittled down from hope…
From Keith Ridgway in The New Yorker: